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Creative Chaos II

Friends and Family


Downsizing 101: Making lists and plans
kellyrfineman
First off, I should note that making lists is one of my favorite sorts of things to do. It feels like work, you see, even though you aren't truly accomplishing anything concrete besides taking ephemera that's clogging up your brain and putting it on paper for the world to see. Or, you know, anyone who wants to be bothered finding your notebook and deciphering your writing. But I digress.

There are several sorts of lists/plans that need to be made. Here's a list. (Yeah, a list of lists. Go me!)

1. You need to get or create a floor plan for the house/apartment/space you are moving into.

This assumes that you know what/where it is, or what sort of thing you'd like it to be, and really, if you don't know precisely, you have some idea. Maybe you're going to cut a bedroom, or get a place without a separate study/office. Usually you have some idea. And since I have read this tip in something like 100% of every article on moving/downsizing that I've read, I figure there must be something to it.

And it makes sense. I am moving from a 3 bedroom, 2-1/2 bathroom house to a 3 bedroom, 2 bathroom house. Doesn't sound like that big of a deal, right? Not until you figure that I have both a family room and a living room and a half-finished basement (all of which contain furniture, computer, and entertainment equipment) and there's only one living room at the new place. And I have a full dining room and eat-in kitchen (read two tables with chairs, plus several pieces of additional furniture including a bookcase, two dining room storage pieces and an antique tea cart), but the new house has a rather tight dining area that can't fit my dining room table, let alone any other pieces.

Oh. And the house I'm moving into is already fully furnished. Which brings me to the next list.

2. Once you've figured out exactly how big your target space is, you need to come up with a "must have" list.

This is a list of the things that you need in order for the space to function. (I got this suggestion from the e-book by Lisa Patriquin that I recommended in the last post.) This is limited to the items necessary for each space to function as you intend it to.

For instance, my sweetheart and I agree that the master bedroom needs the following items: 1) a bed; 2) side tables/nightstands; 3) lamps; 4) an alarm clock; 5) 2 sets of sheets (min.); 6) a blanket/bedspread; 7) pillows. It doesn't, strictly speaking, need dressers, since there's a massive closet, but it has one anyhow. It also doesn't need the TV that's in there, although we're likely keeping it there.

For bathrooms, you should list things like towels, trash cans, shower curtain, etc. For the kitchen, it gets really crazy (and I haven't yet tried it), but you need to create a list containing only the things you actually need to have a functional kitchen. Not your ideal kitchen. Not a fully-outfitted, wants-for-nothing kitchen. Just a functional one. How many place settings of dishes. How many sauce and frying pans (and what sizes), baking dishes, wooden spoons, dish towels, etc. I am positive that the answer is that I need a lot less than what I have, although a bit more than what my sweetheart has. I'm sure you can see why I haven't undertaken this one yet.

3. You need to come up with a list of what is going into your new space.

Once you know what's on your "must have" list (or, if you prefer, "need to have" list, but I don't prefer that terminology, because it's too easy to say "But I need three sets of every day dishes so they can match my every mood", for instance), you have to "shop" for the items that will fill that list. Shopping can involve actual shopping, of course - maybe you want to start new, or you are getting rid of one sized bed and replacing it with another (moving up or down, either for yourself or another bedroom), for instance. But shopping can also involve "shopping" from the available items that you already own (in our case, that's stuff in two houses).

In the case of the aforementioned master bedroom, not all that much is going to change. We will likely swap alarm clocks, since I really like my iHome and my sweetheart doesn't really care what sort of clock we have as long as it works (and he can read it without his glasses on). I may swap one of my pillows for one of his, too, but that's pretty much it from the "must have" list.

4. You need to come up with a list of projects that need to be done.

In my case, this includes things at both houses, and I suspect that's the case for many people. A friend of mine is moving soon, and needs new floors and some interior painting done at her new place, as well as clearing out and fixing up at her current one.

This includes a list of things to be cleaned, painted, repaired, replaced, or disposed of, as well as things to be given away, sold, or purchased.

5. When it comes to purging/clearing activities, it pays to have a plan.

Figure out what areas you plan on starting with first. Calculate how many rooms/areas you have to deal with, and how much time you have in which to work, and map out a specific plan to allow you to move through those spaces in an orderly (and, if possible, not too rushed of a) fashion.

In the case of my house, we've decided to tackle my basement first.* It's a mess, yo. And because it holds a daybed and trundle, it is sometimes called into use as a guest room, which seems likely in June when Maggie graduates and the house fills up with family.

What I've done is to think of it in four sections: 1) the walk-in storage closet; 2) the main room (where the daybed is); 3) the craft area (which never really got set up properly, exactly, and is full of stored items); and 4) the laundry area. For each area, there's a list of tasks of the items and areas to be addressed. (Each of the sections ends with "sweep and mop the floor".) The plan was to complete the closet last week, then move to the main room this week, the craft area next week, and the laundry area the week after that. It involves clearing out a lot of unused stuff, figuring out what to keep and what to get rid of (and then how to get rid of it), some organization, some packing, and a lot of cleaning.

So far, we're on target - in fact, we moved to the main room a good two days ahead of schedule. The goal is to spend 20-30 minutes each day on the project, which is a good goal. Practically speaking, it usually turns out to be more like 30-60 minutes, but the commitment is only for 20, so it's doable on a daily basis. Because, as I stated last time, momentum is your friend, so getting a bit done every day is a Very Good Thing. I'll keep you posted on how it's going. And on some of the things I'm figuring out/learning along the way.

*I have to consult with my sweetheart and figure out what the rest of the plan is - whether we go to the attic or garage next, or start tackling rooms and closets and cupboards inside the house. But for now, getting the basement all the way done before Maggie's high school graduation next month will be enough. The rest will still be there afterwards.

See you next Tuesday with another downsizing post. Meanwhile, the blog will still be here, doing its usual thing.


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Reading at Belmar tomorrow after all
kellyrfineman
Earlier today, it appeared that the schedule was in such disarray and everything was on such a hurry-up basis in Belmar that there may not be time for me to read AT THE BOARDWALK to the kids during the reopening of the boardwalk, but it turns out that there IS time after all. To wit, from 12 to 12:20 tomorrow afternoon, plus or minus start and finish and such.

I am very much looking forward to it.


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21 Reasons You Think You Don’t Have Time to Write
metteharrison

1. You are letting people tell you that you should be doing other things with your time.

2. You can’t live with the level of clean that your family accepts as normal.

3. You haven’t decided to treat your writing seriously and so no one around you treats it seriously, either.

4. You haven’t made yourself a writing space.

5. You haven’t realized that you need help.

6. You do what is urgent rather than what is necessary.

7. You don’t let your kids and other people solve their own problems.

8. You think that someday you will have more time for writing.

9. You are spending time doing things you actually don’t care about.

10. You are actually using distractions as an excuse not to write.

11. You are terrified of writing, of actually sitting down and putting yourself on the page.

12. You are too busy criticizing the best selling books that you are reading to write something better.

13. You don’t know what to do with a blank page.

14. You don’t know how to turn off your internal editor.

15. You talk a good game, but you don’t play it.

16. You need to do a little planning and research before you start.

17. You don’t actually like writing. You like having written. (Join the club.)

18. You need to write the first line of the next chapter before leaving for the day.

19. You need to spend time remembering what it is you love about writing.

20. You have convinced yourself that you need 2 hours to write and don’t know how to use the 20 minute chunks you actually have.

21. You don’t have notebooks scattered through the house, including in the bathroom, to jot down inspiration.


The Rose Throne: Timeline
metteharrison

Timeline is one of the trickiest things for me as an author. This may be because I don’t outline or it may be a problem for all authors and all books. For me, there were two distinct tasks involved in this.

1. Condensing events

My first draft of The Rose Throne had Issa and Ailsbet begin as pre-teens, about age 11. They met each other briefly, became friends, and then spent another 6-7 years apart before meeting again at age 17. I think I did this in part because I was used to spending a lot of time building backstory for my main characters. In The Princess and the Hound, Prince George begins as a young child and ages up through about 70 pages of the book.

But The Rose Throne was a very different book than The Princess and the Hound, in part because there were two viewpoint characters who grew up in different kingdoms and had very different views of the magic system which they actually share. But in addition to that, I think The Rose Throne is for an older audience than The Princess and the Hound. And there were other reasons for me to condense the story, which included the fact that if Issa and Ailsbet had met and become friends as younger figures, a lot of the narrative tension around their relationship was taken away from the rest of the book.

I cannot say how often I have done critiques on manuscripts in which I tell the author that the timeline needs to be condensed. It’s a major change, but increasing the tension often makes other narrative problems disappear or at least become easier to fix. It improves pacing enormously and makes the structure of the novel really pop out and make itself obvious. If you are meandering through your plot slowly, more tension will help you find your climax and move toward it more easily.

2. Day by day

So the second timeline issue was a chapter-by-chapter day-by-day issue. This happened at a much later stage in the process, at nearly the final revision before copyediting. After I had condensed the book events into one year, I needed to make sure that the seasons were right for each chapter and scene, and that events happened in the right order. You would be surprised at how often I had to shift things backward or forward in time so that one event that caused another didn’t happen chronologically after it in my narrative.

What I did to fix this problem was make a chart for each chapter and then type in a date. Now, the kingdoms of Rurik and Weirland don’t have our Roman calendar and I purposely never referred to our months or days of the week. I always feel like fantasy loses its sense of other-worldliness if it relies on our conventions too much (unless it’s set in our world, in which case, it’s fine). So instead I used seasons and day numbers. Each event happened on a given day in a given season. When I put them all together with a short one-sentence explanation of each chapter, I could glance through and make sure there weren’t any long, unexplained absences (which, of course there were, but I had to fix). I also could see whether too much happened in one stretch. This visual was a useful way to make sure the scenes were organized properly and that the events happened in a measured fashion.

I still have trouble with timeline in most books that I am working on now. Maybe one day I will figure out a way to hold it all in my head and not make a mistake. Ha!


Redirect: Cynthia Leitich Smith on Writing for the Long Haul
cynleitichsmith
Cyn sounds off!
By Cynthia Leitich Smith
for Cynsations

Surf over to author Janni Lee Simner's Desert Dispatches for my thoughts on Writing for the Long Haul, the first in a series of posts by "writing survivors." Peek:


"I have a respectful patience for the inner artist but always hold her accountable."



Read the whole post.

Hello from South Carolina!
cynthialord
counter create hit

Photo: Here's my mouse visiting with one of the downtown mice.    I'm back in beautiful Greenville, South Carolina for a series of school visits this week. In downtown Greenville, they have adorable little mouse statues around the downtown. When I was in Greenville in March, I bought a replica to bring home with me, and now he sits on my living room windowsill.

Here he is with the South Carolina Picture Book Award medal for Hot Rod Hamster.

 photo scpba_zps2001c683.jpg

Finishing the Shakespeare poems
kellyrfineman
And no, I'm not talking about the many poems written by William Shakespeare. I'm talking about my own YA poetry collection, which I am now calling The Lady Doth Protest, and which has taken a few years to get right. Turns out, though, that it's not quite done, and that the poem I had to close the collection has to go. Which means I have to write (yet) another poem for Miranda, from The Tempest.

All the other poems are written in formal poetry, but I think I'm going to embrace Miranda's sentiment about it being a "brave new world" and break ranks for this one.

Quoth Miranda in The Tempest, Act V, scene 1:

O wonder!
How many goodly creatures are there here!
How beauteous mankind is! O brave new world
That has such people in 't!

(And yes, that is where Aldous Huxley ganked the title for one of his most famous works.)

Here's hoping this will be the ending that lets this collection spread its wings and fly. (There's a bit more detail about it in my "next big thing" blog post from a couple months back, if you're interested.)


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Love Letters
jbknowles
This year I am very excited to be a presenter at the Simmons College Children's Literature Summer Institute. There are some AMAZING authors speaking this year, so I am incredibly honored to be included (and even more incredibly intimidated).

Here is a link to learn more: http://www.simmons.edu/institutes/childrens-lit/

I've attended many times and it is an inspiring weekend, with presenters all giving lectures on a similar theme. This year's theme is "Love Letters." Here's the institute description:

“Some letters may take the whole of our lifetime to write”
-Thích Nhãt Hanh

In many ways, “Love Letters” demands that we contemplate romance in literature for children and young adults.

Although love and heartbreak might be the territories of the young adult novel, we find passion in picturebooks, revel in the devotions of early readers, and explore emotional depths in middle grade books. Nonfiction marries both knowledge and narrative.

Institute speakers will consider how books themselves act as letters. How do they declare love for a subject or to an audience? How does a lifetime inform every book written? Every book read?


Doesn't that sound wonderful? I know my journey has included many, many love letters from books that have surprised me, moved me, informed me, and helped me become the person I am. I am thrilled and grateful to be part of this conversation.

~*~*~*~*~*~*~

Monday Morning Warm-Up:

Describe how a book of your heart has served as a love letter that felt like it was just for you.

New Voice: Polly Holyoke on The Neptune Project
cynleitichsmith
for Cynsations

Polly Holyoke is the first-time author of The Neptune Project (Hyperion, 2013). From the promotional copy:

With her weak eyes and useless lungs that often leave her gasping for air, Nere feels more at home swimming with the dolphins her mother studies than she does hanging out with her classmates.

Nere has never understood why she is so much more comfortable and confident in the water than on land until the day she learns the shocking truth—she is one of a group of kids who have been genetically altered to survive in the ocean. These products of the "Neptune Project" are supposed to build a better future under the waves, safe from the terrible famines and wars and that rock the surface world.

But there some big challenges ahead of her: noone ever asked Nere if she wanted to be part of a science experiment; the other Neptune kids aren't exactly the friendliest bunch, and in order to reach the safe haven of the new Neptune colony, Nere and her fellow mutates must swim across hundreds of miles of dangerous ocean, relying on their wits, their loyal dolphins and one another to evade terrifying undersea creatures and a government that will stop at nothing to capture the Neptune kids ... dead or alive.

Fierce battle and daring escapes abound as Nere and her friend race to safety in this action-packed marine adventure.

When and where do you write? Why does that time and space work for you?

I've been writing professionally for over twenty years now, and I do like to write in my little office (usually supervised by two lazy cats), but I can make myself write anywhere.

Ellie and Luna
I'm also a big believer in the "bio-rhythms" of writing. Different people definitely have different times of day when they are most productive. Between 8 and 11 o'clock in the morning is my magic time when the words and phrases flow easily. Noon to two or so is a barren, frustrating desert, and then my creativity starts flowing again around three in the afternoon, just when I have to pick up my kids from school.

I knew a successful romance writer whose most productive time was literally from midnight to four or five in the morning. She lived a completely nocturnal lifestyle when she was on deadline, but luckily she was single and could cater to the whims of her personal bio-rhythms!

Most of us have jobs and family obligations which keep us from writing at our most productive time. But if you want to be a professional writer, you have to protect that time as best you can.

Sometimes you get stuck having to produce at a time of day when those creative juices don't flow as easily, but if you're a pro, you still put yourself in front of your computer at home, in the car, at the office cafeteria, or at your kid's school gym between games and make the words come or, at the very least, get some useful revising done.

As a science fiction writer, how did you go about building your world?

The Neptune Project takes place almost entirely in the sea, and one of my favorite compliments from a teen reader was, "I had no idea all that cool stuff was down there."

There is lots of "cool stuff" in the ocean, and I went to great lengths to build an undersea world so vivid that my readers could see it, hear it, feel it, and taste it.

Fortunately, I've been a scuba diver for many years, and I was able to describe from personal experience the light and the visibility and the currents one often encounters beneath the waves. I went to the websites of dive companies which operate in waters I didn't know, like the Vancouver Island area, and I studied their photos and read comments from their guests to collect more visceral details to convey what it's like swimming around in such cold, dark waters.

Even though the entire premise of humans breathing water may seem preposterous to some, I wanted to make it seem as believable as possible. I had to do a ton of research and found out that what we can already do in terms of genetic engineering is both amazing and frightening.

We truly are on the brink of being able to create custom-designed children and genetically-enhanced super soldiers. Creating humans who can breathe in the sea isn't preposterous at all.

Finally, I tried to tap into my own teen years and imagine what it would be like if I were fourteen and suddenly was forced to live in the ocean. What would I notice, what would astound me, and what would I miss from my life on land?

Effective world-building often comes back to the simplest details.

In one of my favorite scenes, my characters float in a circle eating their lunch of raw fish and kelp while they talk about the food from home that they miss, like ice cream and freshly-baked bread. I hope in that moment, my teen readers do realize how hard it is for my characters to have to live in this strange new undersea world for the rest of their lives.

Event Report: Lindsey Scheibe & Riptide
cynleitichsmith
Lindsey signs Riptide
By Cynthia Leitich Smith
for Cynsations

Debut YA author Lindsey Scheibe launched Riptide (Flux, 2013) yesterday at BookPeople in Austin. From the promotional copy:

For Grace Parker, surfing is all about the ride and the moment. Everything else disappears. She can forget that her best friend, Ford Watson, has a crush on her that she can’t reciprocate. She can forget how badly she wants to get a surf scholarship to UC San Diego. She can forget the pressure of her parents’ impossibly high expectations.

When Ford enters Grace into a surf competition— the only way she can impress the UCSD surfing scouts—she has one summer to train and prepare. Will she gain everything she’s ever wanted or lose the only things that ever mattered?

Read a Cynsations New Voice interview with Lindsey.

Lindsey with Austin SCBWI founder Meredith Davis & Bee Cave librarian Michelle Benavides
Austin authors Jo Whittemore, Nikki Loftin, Jennifer Ziegler, Greg Leitich Smith, Bethany Hegedus, Salima Alikhan & Cory Putnam Oakes catch a wave.
Cory and writer-photographer Sam Bond
Debut YA author Lindsey Scheibe
Here I am, getting into the surfer spirit!
Author-illustrator Mark G. Mitchell & author Julie Lake
Lindsey tells stories of her own surfing adventures.
Lindsey Scheibe signs for fellow Austin author (& fellow Lindsey), Lindsey Lane.
Here I am, sandwiched between Austin SCBWI ARA Samantha Clark & Salima
Erin Edwards & Jo mug for the camera; Austin SCBWI RA Shelley Ann Jackson waits behind them.
Samantha, Shelli Cornelison & Meredith at Lucy's Retired Surfer Bar in Austin
Salima, Bethany & Samantha at Lucy's
Greg, Salima, Erin, Nikki, Lindsey, her husband, Meredith, Bethany, Samantha & Shelli at Lucy's

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